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The Edit screen is actually the one PowerDirector 9 opens to, and it’s another thoughtful design, though not without its flaws. PowerDirector 9 gives you only as much information as you need to get footage into your project. The icons above the capture window light up depending on what may or may not be available (although the AVCHD icon remained enabled despite the lack of AVCHD connected hardware) just click the one you want to capture from and you’re pretty much good. We won’t spend too much time here, but suffice to say I was very happy with the layout. I’m actually incredibly enamored with the interface and as we break down the individual sections you’ll begin to understand why. It’s a simple idea, but it works fantastically, and it abstracts project formats in a way that greatly simplifies things.
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Above those buttons are the basic menus you’re used to from Windows applications, alongside a series of common buttons (save, undo, redo), and then an aspect ratio toggle for the project. From the moment you open the program, it drops you into what will hopefully be familiar territory: a new project.Ĭyberlink breaks things down into four subsections: Capture, Edit, Produce, and Create Disk, but the entire layout struck me as being incredibly thoughtful. I found Pinnacle to be a robust piece of kit, but PowerDirector 9 is actually remarkably logical. Honestly, what struck me about PowerDirector 9 more than anything was the user interface.